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Why did Jessica leave Brandon? Théâtre de la Tête Noire Saran Tuesday, September 20, 2022

Why did Jessica leave Brandon? Black Head Theatre, September 20, 2022, Saran.

Why did Jessica leave Brandon? Tuesday 20 September, 9 p.m. Théâtre de la Tête Noire
Full T.: €18 / Reduced T.: €13, €10, €8
“Magisterial (…), intelligent, funny and chilling all at the same time! » Estelle Spoto, FOCUS VIF mid motor disability

Black Head Theater 144 old road to Chartres, 45770 Saran Saran 45770 Loiret Centre-Val de Loire
0238730200 http://www.theatre-tete-noire.com/ https://fr-fr.facebook.com/theatredelatetenoire/ In partnership with the town of Saran and with the support of the DRAC Centre-Val de Loire, the Centre-Val de Loire region and the Loiret department, the Théâtre de la Tête Noire offers a demanding program in a 200-seat hall for all audiences (theater, music, French song, young audiences, etc.), readings, meetings, debates and welcomes companies and authors in residence…

It all starts in a Starbucks over a café latte, like in any sitcom. Jessica and Brandon have settled down at the back of the restaurant, next to the bay window. And that’s where Jessica utters this terrible sentence: “Brandon, either you talk to me or I leave you”. Brandon will talk, she will let him go. On this side of the story, the suspense is toast. This drama, seemingly as insignificant as it is universal, is the start of a most enjoyable investigation that takes us on the very real footsteps of a former US Air Force drone pilot who became a whistleblower.
By mockingly seizing various digital tools, Pierre Solot and Emmanuel de Candido reconstruct a biographical puzzle live, each piece of which sheds light on the complex notions of a hyperconnected society and the fascinating power of the media. A theatrical investigation carried out at full speed!

CORPORATE CARDS. Conception and interpretation Pierre Solot and Emmanuel de Candido.


Start and end dates and times (year – month – day – hour):
2022-09-20T21:00:00+02:00
2022-09-20T22:30:00+02:00

©Lionel Devuyst

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